Ted Allbeury's latest novel concerns the potentially explosive topic of Ultra, the most
secret operation in the CIA. MK Ultra was started to investigate the use of mind-
control, under the influence of hypnosis, and sometimes with drugs. The most
notorious experiments were the pioneering studies of the drug that would years later
feed the heads of millions: lysergic acid diethylamide, or LSD.
But problems start when the CIA rules, out the use of volunteers in these experiments
because volunteers would give a false picture of the effects of the drug and could
distort the effects of the hypnosis. As always, Ted Allbeury uses the facts splendidly
in his novel,, which tells of the disturbing, terrifying and sometimes tragic human
consequences of these experiments. His hero, Senator Joe Maguire, is a
fundamentally decent man whose unenviable task it is to monitor the goings-on of
MK Ultra and to pick up the pieces when things go horribly wrong. As they do.
The Assets raises disturbing issues and ethical dilemmas to which there are no easy
answers.
There are currently over 30 court cases pending from Canadians against the CIA,
which the CIA is simply ignoring.
"I can still remember vividly the months after the surrender in 1945 when my unit and
I were combing our area of Germany for Nazis . . . I learned from those days that
there wasn't all that much difference between German intelligence officers, KGB men
and me. . . After I had left the services I got more Christmas cards from men I'd
arrested and interrogated than from others. Could be a reflection on my character of
course."
Ted Allbeury was as natural an agent as he is an author. Few who have read his
novels could not suspect that, like John le Carre, Ted is a veteran of very real
intelligence operations. Recruited during the Second World War, he stood out at a
time when many brilliant young spies were proving their worth (although he would
feel bound to point out, with typical modesty, that perhaps the most successful of all
was one Kim Philiby). Entering SIS as a private, Allbeury, was a lieutenant-colonel
by 1948. His rise had seen him masquerading as a military liason officer in the court
of the Emperor of Ethiopia, working in North Africa and Europe and finally directing
the denazification of a region of Germany the size of Yorkshire:
The place stank of dead bodies and no-one had any idea how to behave. I was
immediately regarded as the British Gestapo ... I remember walking down by the river
bank where German families would be strolling. We would look at each other and it
was rather like a lion walking round a herd of deer. No-one knew what to do or say.
But if there was tension, Allbeury thrived on it. Len Deighton has born tribute to this:
an interrogation scene in his Horse Under Water is based almost exactly on one of
Allbeury's real questionings. Deighton has admitted that there is more than a little of
his fellow author in The Ipcress File's Harry Palmer. Unlike Palmer, however,
Allbeury chose not to be a creature of the Cold War. Believing he had too much
power for a man of only 28, he left SIS and tried to put his past behind him for twenty
years.
Civilian life saw him labouring in a foundery, working in advertising, failing as a
farmer and prospering as a director of a pirate radio station. Shut down in 1967,
Radio 390 has a sort of posthumous cult following - Allbeury receives quantities of
fan mail every August 17, the anniversary of his station's demise. Yet nothing could
hold his attention for long, leaving him, by his own admission, extremely depressed.
Taking "blue pills to get through the night and green pills to get through the day", he
turned to writing about his experiences in Germany because "I was so weak that I
needed to do something sitting down". A friend passed a few chapters to Ian
Fleming's literary agent. Allbeury only learned of this when he was called to be told
the American rights had been sold. A Choice of Enemies was soon a best-seller.
Ever since the success of his first novel, Ted Allbeury has lead the way in exploring
the world of espionage with conviction and sincerity. His one book outside his usual
genre, 1986 The Choice, was a great success, but the author has always found it most
stimulating to probe the minds of spies:
If you describe how a gun fires, people won't want it repeated, book after book. The
secret is to write about the tensions between people. The plot will follow on from
that.
In 1988, a young Jeffery Deaver emerged onto the crime scene with a fresh New York
crime series starring a young filmmaker - Rune. Sassy, clever but with all the noirish
twists and turns of the classic Deaver, the series quickly established their author as
one to watch. Now, Jeff has completely reworked these novels - making them darker,
grittier and more claustrophobic - and Hodder & Stoughton can present them to his
fans. In this brilliant opener, Rune becomes obsessed by the brutal murder of a
strange old man.
Rune seems to have finally made the first real step towards her dreams - she has
secured a job working for a major network news department. From there, her career
as a budding documentary maker can really take off. However, she quickly becomes
fascinated by the brutal murder of the network boss, and comes to the conclusion that
the guy in the frame for the crime must be innocent. But, trying to prove that
innocence starts to become hazardous to her own health when a hitman comes to
town.
She calls herself Rune. She lives a downtown life and works running errands for a
couple of documentary filmmakers. At twenty-one, she's nowhere, and that's not
where she wants to be. So, armed with a borrowed Betacam, she embarks on a
freelance career of making movies herself. But when she becomes interested in an
arson attack on XXX cinema, and then one of the erotica stars is killed in front of her,
it starts to look like she could have bitten off more than she can chew.
As a big player in the London underworld in the 1990s, Terry Greene has always made a priority of taking care of business personally. Preston Snow was out of line, so the "up-close-and-personal" visit was in no way out of character.
.
Three hot days in a row and Edinburgh is going a little crazy. Taking a short
cut through a tough housing scheme, Detective Inspector Jim Meldrum finds
himself caught up in an ambush of firemen set up by a mob of twelve-year-olds.
As a result, he arrives at a murder scene with a lump gouged out of his skull and
mild concussion.
Things aren't helped when the beautiful redheaded woman in evening dress,
found stabbed to death in an upstairs bedroom, is identified as well-connected
city businessman Brian Ashton. Even with a brooding headache and a bad case
of double vision, Meldrum can see trouble ahead. And that's before he meets
the victim's redheaded widow.
Helped by local academic and crime profiler Henry Stanley, Meldrum begins to
unravel the bizarre secrets surrounding more than one sudden death. Gradually,
as the hot summer days pass, he is moved inexorably to a solution that will alter
his life.
In Death Knock, the fourth darkly compelling thriller to feature the Edinburgh detective, Jim Meldrum tackles his most disturbing case to date.
Born in Glasgow, Frederic Lindsay now lives in Edinburgh. He has served on
the Literature Committee of the Scottish Arts Council, and is actively involved
with PEN and the Society of Authors. He has written for the theatre, radio, tv
and film, and is the author of sever previous highly-acclaimed novels. His three
earlier novels to feature DI Jim Meldrum, Idle Hands, A Kind of Dying and
Kissing Judas, are all available in Coronet paperback.