Jack Havoc, jail-breaker and knife artist, is on the loose on the streets of London once again. In the faded squares of shabby houses, in the furtive alleys and darkened pubs, the word is out that the Tiger is back in town, more vicious and cunning than ever. It falls to Albert Campion to pit his wits against the killer and hunt him down through the city's November smog before it is too late.

'Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever' Sara Paretsky

'Cool, sly, both amused and amusing. The reader is left entranced' Times Literary Supplement

Anna Heymes, the wife of a senior government official, is suffering from amnesia and terrifying hallucinations. In Paris 10th arrondissement - the Turkish district - two police officers are trying to solve the mystery of the atrocious torture and subsequent killing of three clandestine Turkish women workers. As they investigate they discover that the "Grey Wolves", a ruthless group of far-right Turkish mafia members, might be responsible for these murders. Simultaneously, Anna finds out that she had highly complicated facial surgery and looks nothing like she did before. The link between her and the three victims becomes increasingly obvious and her past is revealed. She has no choice but to face an astonishing and horrible truth.

Jean-Christophe Grange was born in 1961. He was a journalist before he set up his own press agency. His second novel, Blood-Red Rivers, has been made into a successful film – with the title The Crimson Rivers – directed by Mathieu Kassovitz. The Empire of the Wolves is Grange’s fourth novel. All of his novels are sold to film, and he is a film scholar himself.

Clever, compelling, The Mysteries is a brilliant literary mystery by a hugely talented young writer.

"A stunning work of art," the New York Observer wrote of The Wind-Up Bird Chronicle, "that bears no comparisons," and this is also true of this magnificent new novel, which is every bit as ambitious, expansive and bewitching. A tour-de-force of metaphysical reality, Kafka on the Shore is powered by two remarkable characters. At fifteen, Kafka Tamura runs away from home, either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister. And the aging Nakata, who never recovered from a wartime affliction, finds his highly simplified life suddenly upset. Their odyssey, as mysterious to us as it is to them, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle. Yet this, like everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

Reuland guides us through the cynical courtrooms and mean streets with assurance, cruel wit and pathos.' Semiautomatic features the same lawyer, Andrew Giobberti. Having resolved an explosive case in a controversial manner, Giobberti was exiled from the high-powered DA's Homicide Bureau to the dusty decay of the Appeals Bureau. But now the powers that be want this brilliant, difficult prosecutor back in the courtroom. They're counting on Giobberti's courtroom brilliance to ensure a guilty verdict for murder suspect Haskin Pool. It seems a straightforward enough case - a bodega robbery gone bad, leaving a well-loved grocer in a pool of his own blood. The press has poured a lot of ink on the story, pressuring local pols to get a killer behind bars. What people want and what they get may be two different things - for Giobberti has a habit of uncovering nothing but the whole truth. It doesn't take long for him to realize this case stinks. There's a conspiracy to convict that reaches well up the political hierarchy and it's fu