In the dying days of the Nineteenth Century, the small Russian town of Zavolzhsk is shaken out of its sleepy rural existence by the arrival from St Petersburg of a Synodical Inspector with a hidden agenda and a dangerously persuasive manner. Meanwhile, in the nearby country estate of Drozdovka, one of the prized white Bulldogs - prized because of its one brown ear, and its propensity to drool - belonging to the cantankerous lady of the house has been poisoned. The old widow has taken to her bed, sick with fear that her two remaining dogs may face a similar fate, and the many potential beneficiaries of her will wait fretfully to see whether or not she will recover. Sister Pelagia: bespectacled, freckled, woefully clumsy and astonishingly resourceful is summoned by the Bishop of Zavolzhsk to investigate the bulldog's death. But her investigation soon takes a far more sinister turn when two headless bodies are pulled out of the river on the edge of the estate.

Hugh Madden is a mortician who loves his work; indeed he lives to make his 'sleeping charges' beautiful. When the body of Kincaid, his old medical professor turns up on his slab, he finds himself recalling his undergraduate years at Glasgow university - in particular his friendship with a dangerously charismatic medical student, and the disquieting circumstances that eventually took him away from medicine and into the mortuary. Trapped for forty years in an unsatisfactory marriage to a hypochondriac wife, Madden's carefully ordered life is thrown further into chaos when he sacks his wife's carer, and her son decides she needs 'compensation'. With the threat of violence hanging over him, the sudden reappearance of Kincaid, and the discovery of a body in a nearby Loch, Madden finds the long-buried secrets from his past beginning to resurface, and his own dissatisfaction with the present threatens to turn murderous

It's been over a decade since Robert Pendleton published his brilliant short story debut, and his hopes for a dazzling literary career now lie in tatters. Hanging on to his tenure in literature at Bannockburn college by the slimmest of threads, Pendleton's simmering despair boils over with the arrival on campus of his one-time friend, now nemesis, the bestselling author and king of the coffee-table book, David Horowitz. For Pendleton, death seems to be the only remaining option, but his attempt to kill himself is wrecked by the intervention of Adi Wiltshire, a graduate student battling her own demons of failure and thwarted ambition. Whilst Pendleton recovers from his suicide attempt, Adi discovers a novel hidden in his basement: a brilliant, bitter story with a gruesome murder at its core. The publication of "Scream" causes a storm of publicity, a whirlwind into which Adi and Horowitz are thrust - along with the sister of a young girl whose real-life, unsolved murder bears an uncanny resemblance to the crime in Pendleton's novel and a burnt-out cop with secrets of his own, who is determined to prove that in this case fact and fiction are one and the same.

Four women work at the Danish Centre for Genocide Studies. When two of them start receiving death threats, they suspect they are being stalked by Mirko Zigic, a Bosnian torturer and war criminal. But perhaps he is not the person behind the threats - it could be someone in their very midst. Much of the drama created revolves not only around the scary sense of a killer prowling in the shadows but also around the manipulative games being played between the women in the office as they come under pressure and turn on each other. The irony is that these betrayals and persecutions are taking place amongst professionals who daily analyse cases of appalling cruelty. Now and again, the narrative is broken with extracts from 'articles' dealing with crimes against humanity and the pyschology of evil. Whilst the women apply this to their work with genocide (and the killer), there are parallels to their own behaviour. It's a fabulous pacy read - a real page-turner that resonates with deeper questions. One reader said 'This is one of the most intelligently, beautifully constructed novels I have ever read'.

Perez-Reverte wrote the Captain Alatriste seies as a homage to the adventure books that had been his own initiation into the world of reading as a boy - books such as Dumas's The Three Musketeers. Captain Alatriste is a swordsman for hire in Spain in the 1620s - a time when Court intrigue is high and the decadent young king has dragged the country into a series of disastrous wars. As a hired 'blade', Alatriste becomes involved in many political plots and must live by his wits. He comes face to face with hired assassins, court players, political moles, smugglers, pirates and of course, the infamous Spanish Inquisition...